![]() ![]() ![]() Even David Payton’s brief appearance as Herb is unsettling we get an unnerving scene with him involving a pair of hedge trimmers. Supporting characters get their spotlight, too, as both Kathryn Hahn and Teyonah Parris return to deliver the most ominous scenes of the series yet. Shakman, who directed the explosive “The Spoils of War” on Game of Thrones, recreates the feeling of a classic sitcom through shot composition and framing, and the use of practical effects is a nice touch.Įlizabeth Olsen and Paul Bettany continue to wholeheartedly throw themselves into the show’s sitcom aesthetic. Most of it takes place in Wanda and Vision’s living room, and while that could’ve gotten stale quickly, McDonnell keeps the story moving along with drama, humor and sitcom clichés. Underneath the fun and delight, we get a better look at the sinister plot unfolding just beneath the surface in Westview.ĭirector Matt Shakman and writer Megan McDonnell should be commended for their work on this episode. There’s a hilarious cut-away gag involving Dottie and her husband and a great scene where Wanda tries to hide her pregnancy - and a stork - from her friend Geraldine (Teyonah Parris). We get more laughs as Vision stresses over his new responsibility. The third entry picks up where the second left off: Wanda is suddenly and unexpectedly pregnant, and she and Vision have to adjust. The costume and set design are reminiscent of these shows, and this installment is the first that is entirely in color! This week, the show continues this trend by paying respect to ’70s TV, beginning with an intro that mashes together The Brady Bunch, Good Times and Happy Days. The first two episodes of the new Disney+ mini-series WandaVision paid homage to American sitcoms of the ’50s and ’60s. The opening title appearing the get it's inspiration from 'Malcom In The Middle.By Caesar Torres 2 years ago WandaVision is beginning to feel more like the rest of the Marvel Cinematic Universe, but it’s still a fun romp through the TV of yesteryear. With shows like 'Malcom In The Middle' and 'Roseanne' getting referenced. The 90's and early 2000s grungy, sarcasm, and special events are clear in this episode. The retro theme was an absolute blast, the opening titles appeared to be most inspired by 'Family Ties'.Įpisode 6 All-New Halloween Spooktacular! - 9.3 rating on IMDB with shows like 'Growing Pains', 'Step by Step', 'Family Ties', and 'Full House'. We all needed a break from the crazy and episode 4 gave that to us.Įpisode 5 On a Very Special Episode… - 9.3 rating on IMDB I also think 'That 70s show' got a bit of a shout out.Įpisode 4 We Interrupt This Program - 9.0 rating on IMDB There are other 70s tropes mentioned as well. The biggest nod again coming form the opening credits which combined the openings of The 'Brady Bunch', 'The Mary Tyler Moore Show', and 'The Courtship of Eddie’s Father'. ![]() ![]() Welcome to the 70s! References to the 'Brady Bunch', 'The Partridge Family', 'The Mary Tyler Moore Show', and The 'Courtship of Eddie’s Father' can all be seen. The opening credits are a clear love letter to 'Bewitched'.Įpisode 3 Now in Color - 8.3 rating on IMDB Episode 2 is where it is clear that these are the shows it is modeling. While episode 1 had a few references to 'Bewitched' and I 'Dream of Jeannie'. The main idea behind it is "50s" the shows included, but not limited to are 'I Love Lucy', 'The Honeymooner', and The most obvious 'Dick Van Dyke Show' since Dick Van Dyke himself even consulted on the first two episodes.Įpisode 2 Don't Touch That Dial - 7.9 rating on IMDB Episode 1 Filmed Before a Live Studio Audience - 7.5 rating on IMDBĪ few shows get referenced or a nod in the first episode. ![]()
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